{"id":9917,"date":"2024-07-10T06:42:57","date_gmt":"2024-07-10T04:42:57","guid":{"rendered":"https:\/\/moked.it\/international\/?p=9917"},"modified":"2024-09-25T08:20:38","modified_gmt":"2024-09-25T06:20:38","slug":"italics-the-jews-of-venice","status":"publish","type":"post","link":"https:\/\/moked.it\/international\/2024\/07\/10\/italics-the-jews-of-venice\/","title":{"rendered":"ITALICS – The Jews of Venice"},"content":{"rendered":"

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*By David Jager<\/strong><\/p>\n

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I dislike moralizing in art. In truth, I bristle when anyone tells me how I should feel about anything. Blame it on my father\u2019s childhood under Nazi occupation, or my post-punk childhood in suburban California. As Oscar Wilde declares in the preface to Dorian Gray,<\/em> \u201cNo artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an un-pardonable mannerism of style.\u201d<\/p>\n<\/div>\n

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Nevertheless, a month ago I found myself hurtling toward a global art event replete with ethical sympathies, The 60th Art Biennale di Venezia. Brazilian curator Adriano Pedrosa, celebrated for his innovative museum shows in South America, had gathered artists together under the banner “Stranieri Ovunque<\/em>,\u201d or \u201cStrangers Everywhere.\u201d Like many curators before him, Pedrosa stated his admirable intention to include neglected voices: voices from the global south, indigenous voices, queer and marginalized voices. So far, so good.<\/p>\n<\/div>\n

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*The article was published in the TabletMag<\/strong> on June 17, 2024.<\/em><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

*By David Jager I dislike moralizing in art. In truth, I bristle when anyone tells me how I should feel about anything. Blame it on my father\u2019s childhood under Nazi occupation, or my post-punk childhood in suburban California. As Oscar Wilde declares in the preface to Dorian Gray, \u201cNo artist desires to prove anything. Even… leggi <\/i><\/a><\/p>\n","protected":false},"author":13412,"featured_media":0,"menu_order":890,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9316],"tags":[],"position":[],"class_list":["post-9917","post","type-post","status-publish","format-standard","hentry","category-culture"],"yoast_head":"\nITALICS - The Jews of Venice - Pagine Ebraiche International<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/moked.it\/international\/2024\/07\/10\/italics-the-jews-of-venice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ITALICS - The Jews of Venice - Pagine Ebraiche International\" \/>\n<meta property=\"og:description\" content=\"*By David Jager I dislike moralizing in art. 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