The consequences of denialism
By Anna Foa
Surfing on Facebook, it struck me to find out how denialism, or at least one type of denialism, is constructed. Among countless examples, here is one. A long and important post, written by a famous writer who clearly took inspiration from the terrible picture from the NYT showing nine Ukrainian civilians in Bucha who, under the threat of Russian guns, are heading towards execution. As we all know, there is more to this. The following day, a video that demonstrates what happened after this picture was shot. And it shows the corpses of those nine Ukrainians lying on the ground. Below the post, delusional comments. Among those, the one of a woman who wrote: “And how do we know that they have killed them?”. I replied telling her that perhaps they were just playing hide-and-seek. I know I should not have replied, but I could not resist. Her reply was mind blowing: “Did you see them with your own eyes?” Of course not, because I was not in Bucha. But what does this mean? That you can only believe in what you see for yourself? And what if you hallucinate? How can you believe what you see? And in case there is a video? It may have been manipulated, of course. And if there are witnesses? There are no reliable witnesses. Witnesses can be forewarned, bought off, threatened. The reality no longer exists. It is more and more evident today, with this war in which denying any evidence, any testimony, any image of what is happening before our eyes and in front of the cameras is the most appealing narrative. The one that makes you believe you are different from the others, that you are not fooled by power, that you are complex, that you do not see the world in black and white
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ITALICS
Alitalia worker who saved Jews
from 1967 pogrom in Libya
A little-known Italian story of heroism and solidarity involving the Jews of Libya during the 1967 pogrom returned to the fore on Monday evening during an event in the Italian capital dedicated to employees of flagship carrier Alitalia and their descendants.
The chance was given by the distribution of a book entitled 'Fermi, non Sparate, Sono Walter!' ('Stop, Don't Shoot, I Am Walter!'), which details the life of Walter Arbib.
Arbib is a Jew who was born in a family of Libyan origins who became a successful businessman in Canada and a philanthropist of international fame.
The biography, written by the journalist Yossi Melman, who for years was the senior editor-in-chief of the Israeli daily Haaretz, narrates through the life of Arbib what happened in Libya in 1967 when the Six Days' War began and pogroms were carried out against the Jewish community in the country, which had been in the country for over 2,000 years.
Editor-in-chief of the Italian newspaper La Repubblica and moderator of the event Maurizio Molinari noted that Italians - with support from the Italian government and the active interest of Rome's chief rabbi, Elio Toaff - had helped Jews to flee a country that had become hostile.
*This article was originally published on Ansamed on May 10, 2022
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Realizzato con il contributo di: Francesco Moises Bassano, Susanna Barki, Amanda Benjamin, Monica Bizzio, Angelica Edna Calò Livne, Alain Elkann, Dori Fleekop, Daniela Fubini, Benedetta Guetta, Sarah Kaminski, Daniel Leisawitz, Annette Leckart, Gadi Luzzatto Voghera, Yaakov Mascetti, Jonathan Misrachi, Anna Momigliano, Giovanni Montenero, Elèna Mortara, Sabina Muccigrosso, Lisa Palmieri Billig, Jazmine Pignatello, Shirley Piperno, Giandomenico Pozzi, Daniel Reichel, Colby Robbins, Danielle Rockman, Lindsay Shedlin, Michael Sierra, Adam Smulevich, Simone Somekh, Rossella Tercatin, Ada Treves, Lauren Waldman, Sahar Zivan.
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