Plural identity
By Anna Foa*
It may seem strange, perhaps, but one of the most debated problems in the Jewish world, at least since emancipation and the encounter with modernity but even before, if we think of Josephus or Spinoza, is that of the nature of Jewish identity. What makes a Jew such? What are, as a recent essay by Sergio Della Pergola says, the “markers of identity”, and what is their respective weight?
Observance tout court ceased to be such many decades ago, adherence to Zionism has become so, at least in Italy, only after the Shoah, so what? In a Jewish world characterized by different responses to this problem, but also by different perspectives on the role and task of Judaism that have a lot to do with identity (diaspora / Israel, universalism / particularism and so on), how to place ourselves? In the last decades of 19th century, for German Jews, ancestors of 20th century great Jewish culture, defining identity passed through history, their history, which they studied and cultivated in archives and conferences.
*Historian
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ITALICS
Picomedia, Thalie Images, Rai Fiction, Beta Partner
on Elsa Morante’s ‘La Storia’
By Leo Barraclough*
The Beta Film has come on board to co-produce eight-part Italian period drama series “La Storia,” based on Elsa Morante’s bestselling novel, continuing its successful partnership with Picomedia. Shooting for the production has started in Rome under the helm of director Francesca Archibugi (“Romanzo famigliare”), before moving to Naples and Lazio later in the year. Beta handles world sales.
The cast is led by Jasmine Trinca (“The Gunman”), starring as Ida, a single mother of two sons, who hides her Jewish heritage and fights against poverty and persecution during the end of World War II and post-war Rome. Also starring are Asia Argento (“xXx – Triple X”), Elio Germano (“Leopardi”) and Valerio Mastandrea (“Perfect Strangers”). The series adapts one of the most critically acclaimed novels of the 20th century, published in two dozen languages. Morante is a landmark figure of feminist literature and the literary role model of Italian star author Elena Ferrante, who stated in the New York Times in 2014: “I try to learn from her books, but I find them unsurpassable,” calling her a “bewitching example.”
*This article was originally published on Variety on June 30, 2022.
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Realizzato con il contributo di: Francesco Moises Bassano, Susanna Barki, Amanda Benjamin, Monica Bizzio, Angelica Edna Calò Livne, Alain Elkann, Dori Fleekop, Daniela Fubini, Benedetta Guetta, Sarah Kaminski, Daniel Leisawitz, Annette Leckart, Gadi Luzzatto Voghera, Yaakov Mascetti, Jonathan Misrachi, Anna Momigliano, Giovanni Montenero, Elèna Mortara, Sabina Muccigrosso, Lisa Palmieri Billig, Jazmine Pignatello, Shirley Piperno, Giandomenico Pozzi, Daniel Reichel, Colby Robbins, Danielle Rockman, Lindsay Shedlin, Michael Sierra, Adam Smulevich, Simone Somekh, Rossella Tercatin, Ada Treves, Lauren Waldman, Sahar Zivan.
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